Welcome to another Open Book Blog Hop. Here’s this week’s prompt.
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When you are writing scenes with more than two characters, how do you help the readers keep track of who is speaking?
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Since I prefer to show and not tell when possible, here’s a scene from Why Grandma Doesn’t Know Me. Natalie and her mother and sister are visiting her grandmother, suffering from dementia and living in a nursing home. You can see how I use dialog tags and other techniques to show who’s speaking.
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When we walked into the room, Grandma’s head was hanging down, but she raised it and gave us a blank look. My mother, as she did every Sunday when we came to visit, went up to her with a smile, kissed her cheek, took her hand, and said, “Hi, Mom.” Then she said, “Oh, I see you’re wearing that lovely blouse I got you for your birthday. It looks nice on you.”
Mom always complimented Grandma on the clothes she wore, most of which she had bought for her. It made me want to throw up.
She sat on the bed next to Grandma’s wheelchair and smiled as she said, “I’ve brought Natalie and Sarah to see you today.”
My younger sister walked up to Grandma without hesitating and took her other hand, as she always did when we visited her. “Hi, Grandma,” she said with a smile.
Grandma’s face broke into a big grin. “Sarah, how lovely you look today. How old are you now?”
“I’m ten,” answered Sarah with a grin of her own. “And my sister, Natalie, is here, too.” She turned to me, but I stood where I was. I knew what would happen.
Grandma gave me one of her blank looks. “Who?”
“Mom, you remember Natalie,” my mother said. “She just turned sixteen last week. Natalie, don’t just stand there staring. Come say hello to your grandma.”
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If you’re an author, when writing scenes with more than two people, how do you indicate who’s speaking? Please share in the comments or click below to join the conversation and see what others say. Thank you for reading.
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by Two Pentacles Publishing
New! Living Vicariously in Wyoming: Stories
Copyright 2025 by Abbie Johnson Taylor
Published independently with the help of DLD Books.
Image Description written by Leonore Dvorkin of DLD Books.
As defined in the first story, living vicariously means living your life through someone else’s. You’re invited to live vicariously through the lives of the people in these stories. There’s the lawyer who catches his wife in the act with a nun. A college student identifies with a character in a play. A young woman loses her mother and finds her father. And a high school student’s prudish English teacher strenuously objects to a single word in her paper.
In Wyoming, as in any other state, people fall in love, and sometimes relationships are shattered. Accidents, domestic violence, prejudice, and crimes all occur. Lives are torn apart, and people are reunited. Ordinary people deal with everyday and not–so–everyday situations.
The 25 stories in this collection, most of which are set in Wyoming, are about how the various characters resolve their conflicts—or not.
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