Tag Archives: artist

The Seers: Mystic Cats, Feminist Histories, and the Art of the Archive

Internet Archive’s latest Artist in Residence, Cindy Rehm, has created The Seers, a project comprised of one hundred college drawings using images largely sourced from historic books at the Internet Archive. The Seers is inspired by the work of Hélène Cixous and Carolee Schneemann around their interest in the creative process, and mysticism often centered in the figure of the cat. Rehm searched historic books related to women and their feline companions including books on the history of cats in mysticism and witchcraft. For her collages, she gleaned images for their aesthetic and symbolic resonance, focusing on books related to histories of women including books on textiles and handiwork, art history, nature, cats, and other creatures. 

For the format of the series, Rehm researched Internet Archive’s collection of antique scrapbooks. The scrapbook is a vernacular form often associated with women and their private lives, and also shares a process relationship with collage, where small fragments are cut and pasted. Historic scrapbooks were often made using repurposed books like catalogs, ledgers, and music books. Rehm borrowed this gesture of layering fragments over a main image, as image cut outs were repeated and remixed across the series to develop a symbolic language and esoteric taxonomy. 

Sample scrapbooks:
Helen Louise Bailey scrapbook, 1920
https://archive.org/details/helenlouisebaileyscrapbook/page/n3/mode/2up

Edwina Devendorf Scrapbook, 1915/1936
https://archive.org/details/ccarm_008888

Charlotte Roese, “Album of a Family” 1895/1945
https://archive.org/details/cmlpl_000893

As part of her project, Rehm created a limited-edition poster that she distributed during her participation in Public Domain Day on site at Internet Archive. Rehm gave a talk about her project and process, view the livestream recording here.

In February, Rehm will take The Seers to Automata in Los Angeles for a residency focused on extending the project to include an installation and performance. Please visit Rehm’s website to view The Seers full series.

About the artist

Cindy Rehm (https://www.cindyrehm.com/) is a Los Angeles-based artist and an educator. She serves as co-facilitator of the Cixous Reading Group, and is co-founder of the feminist-centered projects Craftswoman House and Feminist Love Letters. She is the founder and former director of spare room, a DIY installation space in Baltimore, MD. In 2021, she launched HEXENTEXTE, a collaborative project at the intersection of image, text and the body. 

Rehm has held residencies at Performing Arts Forum in Saint Ermes, France and at Casa Lü, Mexico City. A book of her collage drawings, Transference, was released by Curious Publishing in 2022.

Blending Art and Technology Opens New Doors for Internet Archive’s Recent Artist in Residence

As an Artist in Residence, Swilk said the Internet Archive provided them with the time, space, and support to create a meaningful piece of art that has opened up new possibilities.

When you’re looking for something, it’s important to know who was in love” by Swilk.

Unveiled in November 2024, their immersive art exhibit combined weaving and technology to highlight the critical role of the internet during the HIV/AIDS crisis. Swilk, a 30-year-old artist based in Oakland, California, spent six months on the project with their colleague, Patty Pacheco — researching, designing and producing it for a show at the Internet Archive’s headquarters in San Francisco.

“I felt like the Archive placed a lot of trust in me,” said Swilk of the sprawling installation in the Great Room. “They let me experiment in a space that was very important to them. I was grateful to be among people who would let me really dream.”

The finished piece, When you’re looking for something, it’s important to know who was in love, drew on thousands of historic HIV/AIDS documents and web resources in the Archive’s collection — many of which have since been altered or scrubbed off the live web. Swilk’s weavings were programmed with motors to breathe and pulse whenever users interacted with those archived resources on Internet Archive servers.

The idea for the project, like much of Swilk’s work, centers on concepts of home and historic origins.

Swilk’s weavings were programmed with motors to breathe and pulse whenever users interacted with those archived resources on Internet Archive servers.

“As a queer person growing up in the Midwest, I found a lot of solace on the internet, and community,” Swilk said. “The more I was able to connect with my own history through content I found on the internet, the more at home I felt.”

In their household, HIV was a very charged subject, and misinformation swirled around, so Swilk turned online for answers.

“The internet was this deeply impactful, incredible resource that was harboring so much information,” Swilk said. “I wanted to make something that highlighted that.”

Swilk said they long wanted to automate their work, and the Internet Archive provided the appropriate development space to mount motors and technical assistance to make the piece come to life.

“I didn’t know anything about computers,” Swilk said, prior to coming into the Artist in Residence program. “Being able to incorporate mechanization into my art feels like I have a completely new medium to paint with now — and that feels really exciting.”

Swilk credits the team at the Archive (Amir Esfahani, Evan Sirchuk, David Eisenberg) for helping make the exhibit happen. 

Artist in Residence Program
The Internet Archive’s Artist in Residency is organized by Amir Saber Esfahani, and is designed to connect artists with the archive’s collections to show what is possible when open access to information meets the arts. Please contact Amir at [email protected] for any inquiries.

Swilk was pleased with the response to the installation, which was viewed by hundreds of people during the Archive’s annual event in October and a reception in November. They look forward to incorporating more technology into their art. Swilk also composed music that played in the background with the exhibit. It was composed over field recordings of spaces HIV information was traditionally spread, such as coffee shops, night clubs, and hospitals. It included a quote from a 1997 interview by HIV activist Kiyoshi Kuromiya. Other synths were made from modulated retro computer sounds. 

“Whenever I’m given the opportunity to be a resident artist somewhere, my work explodes,” Swilk said. “I really feel like this is putting my work in a different direction. I don’t think I’m going to make something that doesn’t move again.”

Although the program ended with the show, Swilk said it doesn’t feel like it’s over. “I very much feel like this is the start of something. I’m very excited about what comes next,” they said. “I think that’s the point of a successful residency: to develop work that we can use to jump off.”

Swilk said there are so many ways to use the Internet Archive, both digitally and physically, to do creative and interesting projects outside of the box. “It’s a place where you can come with big ideas and leave with them realized.”