Congratulations, and thank you to everyone who auditioned. Come join us in watching some awesome online theatre starting June 19th!

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Congratulations again, and thank you to everyone who came out to audition!

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Q: What does the “safety” referenced in the title refer to?

A: That’s a big question.  It refers to one of our basic needs as defined by Maslow’s pyramid, safety.  However, safety icovers a lot of ground. For the show, we limited it to 6 different areas from the 12 original ones defined by the “I Feel Safe When” project: self, escape, political, ethical, people, and community.  Within those, there is a lot to be explored as well and as you will see, each person has their own story or definition that fits into that. For me, the safety refers to the space where you can feel the most like yourself, live in your truth, and not be concerned about the pressures that society put on us to be something that we are not – something that takes years to learn, if at all.

Q: What was the basis of this project and why is it a good fit for DramaTech?

A: This project is based on the “I Feel Safe When” project that the Office of the Arts has have running.  Much like the Post Secret book and show, anyone can anonymously write the thing that makes them feel the safest.  The Office of the Arts approached us about trying to use the cards and this show is the culmination of that work. It fits for DramaTech because we think of ourselves as a theatrical laboratory. This show is a place to explore a different type of theatre – devised theatre – and to work with personal narrative rather than a traditional theatrical script.  It also allows us to play with technology in performance through the use of augmented reality, which is a focus of my research.

Q: You have a cast full of improvisors! How do those strengths lend themselves to the development of the show?

A: Improvisors are great because they are willing to dive in headfirst without fear.  They also know how to use their bodies in storytelling. In essence, all of their skills lent themselves to the show because they were able to use their strong character building skills to add color to their stories and they didn’t feel like that had to have a script in order to create the work.  They were willing to play. It also helps that I was planning for there to be a section of improv in the show, so I had ringers in place!

Q: Is there something you’ve learned as a person or as a director from the rehearsal process?

A: From a personal standpoint, I’ve learned that the definition of safe is different for everyone.  And something that I consider to be unsafe is someone else’s place of utmost safety. I had to step back and not judge other stories because I had a different point of view.  From a directorial standpoint, this means that I need to focus on the story being told in the most essential way for the performer even though I might not feel connected to the content.  I also learned that devised theatre is terrifying because you don’t have a script. This is the most unsafe I’ve felt in a rehearsal process because there wasn’t a framework to support me through the process.  It all fell to me to create that with the actors.

Q: Finally, summarize your show in four objects without giving ANY context.

A: Beehive, tricycle, parachute, blanket.

Don’t miss this innovative and personal night of theatre. Audiences are limited, so be sure to get your tickets at dramatech.org/events!

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THE SAFETY SHOW
Travis Adams
Ashley Alred
Raveen Karnik
Devon Long
Tyndal Mitchell
PJ Ortiz
Camille Pettit

MIDSUMMER NIGHT’S DREAM
Lina Zikas as Hermia
Robert Soloman as Lysander
Hannah Whitlock as Helena
Davis Williams as Demetrius
Devon Long as Theseus/Oberon
Soso Ogan as Hippolyta/Titania
Parker Davenport as Egeus/Bottom
Hannah Strudwick as Philostrate/Quince
Skyler Tordoya as Flute/Thisbe/Mote
Morgan Powers as Snort/Wall/Cobweb
Lexie Scott as Snug/Lion/Peaseblossom
Tyler Sheridan as Starveling/Moonshine/Mustardseed
Anya Smith-Roman as Puck


Congratulations again, and thank you to everyone who came out to audition!

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Q: Anything from the rehearsal process that was a favorite moment?
Lexi: There were too many funny moments to pick one, so probably running the show in the black box for the first time.
Grant: When I got to start lowering and raising the mic. Truly a life altering experience.

Q: Biggest challenges?
Lexi: Sick actors. That was the big one. Deciding how to work around the night game was also difficult.
Grant: Keeping the mic from hitting the floor

Q: One night only, one hour, single spotlight. What is your cabaret act?
Lexi: I would probably ask for a volunteer to join me on stage, and once they walked up I would run off the stage and let them take it from there.
Grant: Lowering the mic and raising it. So silky smooth. So sensual. So satisfying. So sublime. So Cabaret.

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Q: Favorite song to perform/hear in the show?
Craig: My favorite song to perform is “Married”. It’s such a sweet and emotional song that creates a great moment of tenderness between Schneider and Schultz that is not exhibited by other characters in the show.
Soso: I love to hear Don’t tell mama, and I don’t care much. Two different songs, two powerful meanings and each sang by two vocal powerhouses (Lina and Ben). I also really enjoy the song Davis and I perform at the end of Act 1. It is a song that marks a dark and important change in the tone of the musical, and in Germany at that time. It marks a transformation in a lot of characters.
Hannah: My favorite song to perform is definitely “It Couldn’t Please Me More” (although it should be called the pineapple song because that’s what it is), because it’s just so objectively ridiculous; Schultz and I are obsessed with a pineapple someone bought from Kroger for like five dollars, but to us it’s the most incredible rarity we could possibly think of. I get to be obsessed with something simple, and it gives me the chance to really play onstage and develop my character. My favorite song to watch though is “Two Ladies”, because it’s so raunchy that it just catches me off guard every time. It’s sexy, it’s funny- it reminds me of myself!

Q: Where can you be found in a party setting?
Craig: You can find me on the dance floor, for sure.
Soso: Stirring up some drama, and accosting Nazi men for sure.
Hannah: Sleeping on an available couch somewhere because I forgot to go to bed at a reasonable time the night before.

Q: One fun fact!
Craig: I was a Walker on “The Walking Dead” for 2 episodes.
Soso: Ew. Kost doesn’t do fun facts.
Hannah: I didn’t actually put on old age makeup, this is just what GT has done to me in two semesters

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Q: Favorite aspect of the show?
Bryce: The picardy third in the entracte
Chris: Two Ladies
Kenny: Getting to be under those lights with these amazing people

Q: Song from the show stuck in your head the most?
Bryce: We have some A+ choreography for Cabaret backstage
Chris: Two Ladies otherwise I’d forget how to sing it
Kenny: Money is my fave

Q: What’s different about being in a musical than anything else you’ve done with DramaTech? (LTT!, directing, playwriting, acting in other capacities ie. film/straight plays)
Bryce: I’ve done a lot of things in DramaTech, but the first thing I did was acting in a musical. It’s nice to come full circle four years later. There are so many moving parts in a musical and I love them all.
Chris: I’ve literally only done musicals at Dramatech lol
Kenny: There are actual lines that I have to memorize, as opposed to making them up, but I also still get to make up lines haha.

Q: One (1) fun fact!
Bryce: There is nothing funny about Bryce.
Chris: The tassels are actually just my nipple hairs.
Kenny: I have a twin sister who is the reason I got into theatre.

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Q: Any number you’re excited to perform every night?
Lina: Don’t Tell Mama: I love sharing the stage with all of my Kit Kat ladies, they are so supportive and wonderful.
Ben: “I Don’t Care Much.” I think it’s a song that everyone needs to hear, and it is central to who the Emcee is.

Q: You’ve done several DramaTech productions together over the years, how has this affected your relationship?
Lina: Ben is my best friend. Every show we take the same picture where I am jumping in his arms. I am going to be so emotional when the show is done because it is his last one at DT and I cant handle it
Ben: Lina was the first true friend I made at Georgia Tech, and I am forever grateful to her for being by my side through the past four years. I haven’t done a DT show without Lina, so I can’t imagine what my experiences at DramaTech would be like without her.

Q: What is one (1) thing in this production of Cabaret that makes it different than any other/why should audiences come see closing weekend?
Lina: This show is so important right now. It is so powerful to reflect on what it means to be involved and aware of your surroundings in a time when people are facing persecution.
Ben: Performing Cabaret during the times we are living in is incredibly potent and striking. I hope the parallels and themes presented in the show will impact audiences the same way they have impacted me, and wake people up to what’s happening around us.

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