Symbols are designed to concisely put across grand, political, religious or social meaning and to rally people around the cause that the symbols represent. Yet, symbols – which is the nature of symbols – sooner or later diverge from reality, and so when what they were supposed to imply changes, so does the meaning of the symbol. Think about the hammer and sickle, the worldwide recognizable symbol of communism. Few people know that initially the symbol pointed to the revolutionary union between the German industrial working class (hammer) and the Russian agricultural peasantry (sickle). The Bolsheviks had hoped at that time that the Russian revolution would be supported by its German counterpart, and together the two nations – Germans and Russians – would spark a worldwide revolution. As we know, the German revolution was nipped in the bud, and so Russia remained alone on the political stage as a socialist country. What was to be done? The hammer-and-sickle symbol needed to be reinterpreted and so it was: the hammer began to imply the Russian working class, while the sickle – the Russian peasantry.
The promises of communism were slow to materialize. Party bosses would have regularly announced that communism was close by, but somehow this communist bright future obstinately refused to arrive. Soviet people began joking about it. One of the jokes ran like this. A factory party committee holds a rally with a group of factory workers. The first secretary of the local party organization says solemnly, We will achieve communism in five years. Hearing that, somebody from the audience asks him, Will we achieve it as well?
The hammer-and-sickle symbol was immortalized by sculptor Vera Mukhina in a 1937 statue known as the Soviet Worker and the Collective Farm Woman, which later became the readily recognizable logo of the Mosfilm film studio. From the world revolution to the revolution in one state alone, to the symbol of a film studio…
That’s, however, not the end of the story of the hammer-and-sickle symbol. Since the ideals of communism – as said above – refused to materialize, since economic and social reality loomed worse and worse, the Soviet people composed a quatrain, which ran something like this:
Grab the sickle, grab the hammer, / Слева – молот, справа – серп,
grab the Soviet emblem’s glamour: / Это наш советский герб:
whether you will mow or hit, / Хочешь жни, а хочешь куй,
the reward for work is shit. / все равно получишь хуй.
Such was the epic failure of the communist dream as felt by and expressed by the common people.
Though President Donald Trump did not come up with a visual symbol – a counterpart of the hammer-and-sickle sign or something akin to the Soviet Worker and the Collective Farm Woman statue – he came up with the MAGA political slogan, which translates into Make America Great Again. No, it is not a promise of communism, but it is, nonetheless, a promise, a promise of something great, grand, fascinating, attractive. This MAGA slogan included in itself a call to stop the forever wars. America was to rebuild itself and rebuild its international standing, while wars were to be a thing of the past.
President Donald Trump has barely finished his first year of the second term and he has already managed to abduct Venezuela’s president and attack Iran – twice. But the military operation designated Epic Fury has apparently misfired. It has misfired so badly that commentators have coined a new designation for it: Epic Failure. Iran is fighting back, Iran is biting back, while Americans willy-nilly are seeking the ways to back out of the conflict. MAGA has reinterpreted itself as maga, a Latin word for witch. The American president seems to act as a magus – a magician – who promises the moon while MAGA or maga appears to be (or, rather, to have been) the Pied Piper/Rat Catcher of Hamelin, whose task it was to seduce as many Trump’s followers as possible. While the maga and magus succeeded to a larger extent at first, they are now on the losing end. The end of the war against Iran is nowhere in sight, American top leaders – the president himself, Secretary of State Marco Rubio, Secretary of Defence/War Pete Hegseth – are losing sleep over it, while Donald Trump’s political basis is shrinking with his voters being increasingly disappointed about him.
President Donald Trump’s narcissism is too strong to give in to criticism or sheer common sense. He thinks himself king of the kings, a ruler of the globe if not of the Solar System. He strikes poses like Benito Mussolini, and is in constant demand for narcissistic supply. Here, too, one can have associations with the Soviet Union, or with Joseph Stalin, to be precise. Donald Trump – just as Joseph Stalin – has never enough of praise and admiration. Donald Trump – just as Joseph Stalin – is ready to blatantly warp reality if that serves his purpose of elevating himself in the eyes of the people. Just as Joseph Stalin could not stop from falsifying history, so can’t Donald Trump. The closing scene in the 1950 feature movie The Fall of Berlin (Падение Берлина) shows – contrary to historical fact – Stalin’s visit to Berlin by plane and his elevation by the thousands of people of various nationalities as the saviour of the planet. President Donald Trump has precisely the same cast of mind: he desperately needs praise and he desperately needs to be looked up to not only by his followers but by the whole world. Hence his contrary-to-fact statements about winning wars and bringing peace to different corners of the world, hence his pontificating about policymaking, international justice and what not. He is a magus or wizard (or astrologer) who keeps deceiving people (along the Orwellian lines that war is peace, while peace is war) because he desperately needs narcissistic supply. Donald Trump – Benito Mussolini – Joseph Stalin… You know the man by the company he keeps, don’t you?









