Switch Media https://switch.tv Effortless Video Mon, 11 Dec 2023 04:17:16 +0000 en-AU hourly 1 https://wordpress.org/?v=6.9.4 https://switch.tv/wp-content/uploads/2019/03/cropped-Icon2-32x32.png Switch Media https://switch.tv 32 32 BLOG: Signing off 2023… – Mark Johns, CEO, Switch Media https://switch.tv/blog-signing-off-2023-mark-johns-ceo-switch-media/ Mon, 11 Dec 2023 04:17:16 +0000 https://switch.tv/?p=9058 The post BLOG: Signing off 2023… – Mark Johns, CEO, Switch Media appeared first on Switch Media.

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Signing off 2023…

BLOG by Mark Johns, CEO, Switch Media

As the year draws to a close, we reflect on the last 12 months. The following blog gives a brief snapshot of Switch Media in 2023.

The year started with a TVB Europe article that included streaming predictions for 2023, featuring our VP Business Development, Oscar Gutierrez. In the article Oscar said, “Alternative business models across the streaming technology sector are likely to become more widely seen in 2023, with a particular focus on AVOD. In countries where there is a high population and lots of scope for advertisers to create revenue, there are more opportunities for different business models between vendors and content owners such as revenue share deals. AVOD services can also focus on local content, which is a huge value-add for consumers.”

This has absolutely been the case and we’re seeing a much greater appetite for AVOD again as consumers continue to be squeezed by the cost-of-living crisis. A modular technological approach, which is the way we work at Switch Media, allows us and our customers to adapt their business model over time as it becomes clear what works in their market or markets.

Another revenue opportunity for content owners, and one that continues to gain traction and will be strong in 2024, are FAST channels. Oscar wrote an article titled Hold On, not so FAST for TVB Europe, which was published in October. FAST channels enable streamers to play and replay re-runs, pre-owned, or previously aired content on a continuous loop. This keeps costs to a minimum, and therefore maximises ad revenue and ROI. To properly monetise FAST channels every individual can be served targeted ads using SSAI (server-side ad insertion) technology.

The SSAI model works on a CPM basis (cost per thousand) with the channel owner receiving a fixed amount per thousand views. Generally, advertisers will pay quite a lot more for ads viewed on a connected TV rather than via an app or browser, as a larger screen suggests higher engagement and impact. So, the more connected TV viewers, the better for the channel owner.

What’s important for content owners and viewers is that ads are delivered using a TV-like viewing experience. Also, advertisers want addressable advertising options, while avoiding ad-blockers. Our AdEase technology, which is part of our world-class MediaHQ online content publishing platform, provides multi-screen dynamic ad insertion for both live and on-demand content and standardises advertising delivery with rich addressable personalised advertising across individual and household connected devices.

In April we headed to Las Vegas for NAB Show, where we showcased MediaHQ. And, in September, we were off to Amsterdam for IBC, where we were co-located on the Planetcast stand with a MediaHQ demo station. From our perspective, there were three main takeaways from the show. First that word again, monetisation. Streaming start-ups need to be aware that launching a platform is a marathon and not a sprint. They need to have the patience to develop their offering over time and they need to have enough financial backing to carry the first couple of years. For content owners, the process is much easier because they can push their content out and monetise it more quickly but for streamers that are aggregating content, they need the financial backing to take that initial hit.

The second is companies who claim to be able to do it all. We see this a lot in the streaming space. If you’re supplying to one customer it’s not difficult to supply and provide the necessary support for an end-to-end solution but if you’re supplying to multiple customers around the world, this is far more complex and takes a great deal of experience to navigate. The third comes back to FAST again.

In August we announced that MediaHQ was chosen by Malaysia’s first and largest video streaming network Tonton, owned and operated by media powerhouse Media Prima, to create an integrated, dynamic new OTT service. Initially launched in November 2022, the AVOD service was available on the Web, as well as on mobile apps for Android and iOS for smartphones and tablets with display and in-stream ads. It carries a collection of Media Prima’s market-leading free-to-air channels. This March saw the launch of Tonton’s SVOD service, home to a range of premium international content, as well as local content, providing a broad selection of programmes for viewers. We have also rolled out these services to Android TV and Smart TVs.

As we move into 2024, our powerful MediaHQ technology provides increased opportunities for streamers to monetise their content, reach more eyeballs, maximise revenue and simplify workflows with a modular approach. It also gives more options to shift away from Capex to Opex, powered by the ongoing move to virtualised and cloud technologies. Cloud playout is a good example of this where rather than having to purchase and install hardware to create or alter services using a Capex model, now these can be virtualised, based on backend services like AWS or Azure. This means services like pop-up channels can be spun up and spun down very cost effectively with capacity available on-demand.

The fundamental modularity and virtualised technology approach of much of what we do comes to the fore here. This gives us and our customers tremendous flexibility in the way that we can approach projects from both technical and business angles.

We’ll sign off this last blog of 2023 by saying we hope you have a wonderful holiday season and a very happy and prosperous New Year. See you in 2024!

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BLOG: Streaming trends at AfricaCom – Hans Belz, Account Manager, Switch Media https://switch.tv/blog-streaming-trends-at-africacom/ Thu, 07 Dec 2023 05:00:18 +0000 https://switch.tv/?p=9045 The post BLOG: Streaming trends at AfricaCom – Hans Belz, Account Manager, Switch Media appeared first on Switch Media.

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Streaming trends at AfricaCom

BLOG by Hans Belz, Account Manager, Switch Media

Last month, Hans Belz, who heads up our South Africa office in Cape Town, visited AfricaCom. Like many tradeshows around the world, the event suffered from the COVID quarantines but it has picked up over the last couple of years and is slowly building back to the size it was pre lockdown. Hans noted a couple of the big players were absent, including Ericsson. Traditionally a pure telecommunications expo, in recent years, AfricaCom organisers have widened the show’s remit to include TV and media but this hasn’t really taken off. AfricaCom now has to compete with Fame Week Africa, a show in association with MIP Africa, which launched three years ago and takes place in Cape Town, in September. This event is rapidly growing in popularity, and has become the predominant content and media expo for the region.

Amongst the interesting trends seen was a definite move from Capex to Opex models. Companies, either with content or wanting content, are trying to move away from large upfront costs and are looking for ways to revenue share, spreading costs on an Opex basis. AVOD is having a resurgence. Whilst traditional SVOD models are great for higher income households who can afford monthly subscriptions and are able to pay for quality content, in South Africa, the vast majority of the populace is in the lower earning segments. Subscription services for this demographic aren’t popular, which makes this market attractive to AVOD services providing tier-2 content.

Advertising companies are also struggling to see returns on dedicated AVOD services, which brings us onto everyone’s current favourite topic, FAST channels. Certain SVOD service providers are looking at  options to generate critical mass on their platforms, and one is to bring in tier-2 content, on a AVOD basis, for free on their apps. The second is taking their SVOD premium content, putting it onto an ad-supported FAST channel and aiming for  higher rates of advertising revenue. FAST is high on the list of priorities for some of the bigger telcos in Africa in 2024, with many in the process of setting them up for launch in early 2024.

Other than generating higher rates of advertising revenue, FAST channels also enable content owners to create tailormade channels, such as a Kids channel, thereby removing the issue of trying to search for content. The streaming services have an opportunity to upsell to their AVOD customer base in the future when the economy has settled.A highlight of the show, and what may prove to be a game changer within Southern Africa, is the  Kayamandi Fiber Project, which launched last month and is the world’s first fibre-connected township. Together with multiple partners, including Nokia and investors, the Kayamandi Fiber Project has put together a package providing 250 Mbit/s uncapped fibre over a 5G network at R5 per day (US$0.26), which is really affordable.

It currently connects 6,500 homes in Kayamandi and the company has set a target to connect 150,000 homes by March 2025. By providing cheap, reliable and content ready connectivity, this opens a whole new massive growth market for content providers.

In conclusion, the insights from AfricaCom highlight a dynamic shift towards Opex, a resurgence of AVOD services, and the pivotal role of FAST channels in the evolving streaming landscape, while the groundbreaking Kayamandi Fiber Project emerges as a promising innovation set to revolutionise internet accessibility in South Africa.

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BLOG: Life is like a box of chocolates… Oscar Gutierrez, VP Business Development, Switch Media https://switch.tv/blog-life-is-like-a-box-of-chocolates/ Mon, 23 Oct 2023 04:35:18 +0000 https://www.switch.tv/?p=9027 The post BLOG: Life is like a box of chocolates… Oscar Gutierrez, VP Business Development, Switch Media appeared first on Switch Media.

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Life is like a box of chocolates…

BLOG by Oscar Gutierrez, VP Business Development, Switch Media

Forrest Gump famously said, “My mom always said life was like a box of chocolates. You never know what you’re gonna get.” At Switch Media, we like to think of our online video platform as a box of chocolates, but unlike Forrest you’ll definitely know what you’re going to get because you can choose it yourself and you’ll get the box as well! What do we mean by this? Read on to find out.

For over a decade, Switch Media has successfully delivered complex, multi-award-winning online video solutions for major brands and global live streaming events. Our MediaHQ platform houses a flexible suite of modular components that easily integrate with existing systems. We provide tailormade solutions for our customers that include multiple modules such as, DRM, CDN, billing subscription systems etc. as part of the Switch Media, MediaHQ umbrella – the chocolates and the box. Unlike some of our competitors who have modules from single vendors, our customers, with guidance from us, can select these modules from multiple vendors, as and when required. If they don’t like the flavour of one module, they can switch it out for another. This gives our customers far greater flexibility and control over their OTT platform and their budgets. It also helps when their services grow as they can expand the use of our solutions or change or add new services.

This approach is helped by the OTT industry’s shift from CAPEX to OPEX models, allowing for a far more modular and virtualised technology approach. This gives us and our customers tremendous flexibility in the way we can approach projects from both technical and business angles. Also, the availability of cloud-based solutions makes it quicker and easier to make changes in the CMS, for example, allowing systems to be future-proof. A cloud-based solution means new elements can easily be developed inhouse and you can integrate APIs with multiple elements very quickly and simply. Having a solution that can run in the cloud – or on premise – based on very clear and well-defined APIs, allows companies to create a modular solution, meaning they can take full advantage of all the chocolates they want or need from the box.

If we’ve made you hungry reading this blog, grab a coffee and something sweet and head on over to our website. At Switch Media, we’ve developed a deep understanding of the challenges facing customers globally and a clearer view of the current variances from market to market. We have installations across the world and we’re dedicated to delivering the highest quality online video platform to meet the requirements of customers and consumers now and in the future.

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FEATURE: Hold on, not so FAST… TVB Europe https://switch.tv/feature-hold-on-not-so-fast-tvb-europe/ Thu, 12 Oct 2023 04:32:17 +0000 https://www.switch.tv/?p=9021 The post FEATURE: Hold on, not so FAST… TVB Europe appeared first on Switch Media.

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Check out our feature in TVB Europe where our VP of Business Development, Oscar Gutierrez explains how FAST channels can be used to target specific audiences via individual channels to drive reach and monetisation opportunities.

Hold on, not so FAST…



The online video space is jam packed full of acronyms. A few well known ones that spring immediately to mind include OTT, SVoD, AVoD, CTV, IPTV, SSAI, SSP, and let’s not forget the latest addition, FAST (Free Ad-Supported Television).

Many will be familiar with the term FAST, or FAST channel, by now, given the constant barrage of mainly positive headlines this development has garnered over the past year or two. The reality, though, is more complex than the headlines suggest, especially if you’re not operating in a large, high ad revenue TV market. Our primary markets – South-East Asia and Oceania – are two cases in point.

What is a FAST channel?

FAST channels are, as the name suggests, free and funded by ads. They are delivered in a linear way via OTT services, utilising VoD assets and live content and, will have likely have on-screen graphical elements and an electronic programme guide.

Some might say, ‘Hang on, a FAST channel sounds quite similar to broadcast television, which is said to be declining’. In many ways, it’s hard to disagree with this sentiment. Essentially, yes, they do share similarities with traditional TV as they offer viewers the opportunity to watch linear content without the need to pay for a pay-TV service, be that cable or satellite delivered. Where they mainly differ is around monetisation, as they provide increased opportunities for advertisers to reach a broad range of specific target audiences.

Linear broadcast TV may have a main channel with a varied range of fresh content, at different times, each targeted at a different target audience, depending on the programme. This is somewhat limiting in terms of targeting, reach and monetisation. However, FAST channels have the ability to widen their net and create the opportunity to target specific audiences. Here’s how…

The SSAI model

With the cost and effort of adding extra channels relatively low, the opportunity arises to create individual channels, dedicated and monetised to target a specific interest, genre or show, and therefore audience. These may range from cooking, sitcoms, true crime, news to music, niche sports or major sporting events.

Re-runs, pre-owned, or previously aired content can be played and replayed on a continuous loop on a FAST channel. This keeps costs to a minimum, and therefore maximises ad revenue and ROI. Furthermore, every individual can be served targeted ads using SSAI (server-side ad insertion) technology. That’s how these services can be monetised and monetised well. This is where the value lies for advertisers, so getting it right is crucial.

The SSAI model works on a CPM basis (cost per thousand) with the channel owner receiving a fixed amount per thousand views. Generally, advertisers will pay quite a lot more for ads viewed on a connected TV rather than via an app or browser, as a larger screen suggests higher engagement and impact. So, the more connected TV viewers, the better for the channel owner.

The other main variable is geographic, with markets where ARPU (average revenue per user) is the highest – such as the US, UK, France and Germany – the more effectively the SSAI monetisation model for FAST channels will work. We are seeing this across the market. Advertisers/ad providers want eyeballs on their content, and they want those people to have money to spend. Target them via SSAI-supported FAST channels and there’s potentially a good model there.

Regional uptake

Across various regions, there are notable differences in projected FAST channel uptake, as indicated by recent figures from Statista. In Oceania (including Australia and New Zealand), the FAST market is projected to reach US$14.83 million in revenue in 2023, with an expected annual growth rate of 13.12 per cent (CAGR 2023-2027), leading to a projected market volume of US$24.28 million by 2027. The ARPU is projected to be US$1.94 in 2023.

Moving on to South-East Asia (countries including Indonesia, Malaysia, Philippines, Thailand, etc), the projected FAST market revenue for 2023 is US$75.50 million, with an expected annual growth rate of 12.91 per cent (CAGR 2023-2027), resulting in a projected market volume of US$122.70 million by 2027. The ARPU is projected to be US$0.95 in 2023.

When comparing these figures to the US FAST market, which is projected to reach $6.16 billion in revenue in 2023, with an ARPU of US$7.95 this year, it is evident that the numbers in Oceania and South-East Asia are relatively smaller.

It’s worth considering the population size of these regions, which impact the market volume. Additionally, content ownership for these channels poses its own challenges.

In our experience, customers in the primary markets we serve are more focused on AVoD/SVoD solutions and determining which monetisation strategies work best for them. As always, we are collaborating with our customers to help them achieve their goals.


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BLOG: IBC Takeaways, 1, 2, 3… – Oscar Gutierrez, VP Business Development, Switch Media https://switch.tv/blog-ibc-takeaways-1-2-3/ Tue, 19 Sep 2023 03:26:34 +0000 https://www.switch.tv/?p=9016 The post BLOG: IBC Takeaways, 1, 2, 3… – Oscar Gutierrez, VP Business Development, Switch Media appeared first on Switch Media.

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IBC Takeaways, 1, 2, 3…

BLOG by Oscar Gutierrez, VP Business Development, Switch Media

As the seasons begin to change, so ends another IBC Show. In Amsterdam, summer and autumn were dancing as weather turned from brilliant warm sunshine to storms and rain. The mood on the tradeshow floor was certainly more upbeat with a positive buzz around the halls. After COVID-19 closed the show’s doors for two years, IBC seems to have become more of a European media event with less visitors from Asia and the US than we saw pre-pandemic. The official IBC figures show that 43,065 attendees from 170 countries attended along with more than 1,200 exhibitors.

We were co-located with our partner Planetcast in Hall 5, where we had a demo station setup to show our award-winning MediaHQ online content publishing platform. From our perspective, there were three main takeaways from the show. First is monetisation. What OTT start-ups need to consider is that launching an OTT platform is a marathon and not a sprint. They need to have the patience to develop their offering over time and they need to have enough financial backing to carry the first couple of years. For content owners, the process is much easier because they can push their content out and monetise it more quickly but for OTT companies that are aggregating content, they need the financial backing to take that initial hit.

The second is companies that claim to be able to do it all. We see this a lot in the OTT space.  If you’re supplying to one customer it’s not difficult to supply and provide the necessary support for an end-to-end solution but if you’re supplying to multiple customers around the world, this is far more complex and takes a great deal of experience to navigate.

At Switch Media, we truly have this experience and are well positioned to take on multiple projects. Evolved over more than a decade, our world-class MediaHQ online content publishing platform has a powerful workflow engine and houses an advanced suite of modular capabilities that are flexible, powerful and easy to integrate. MediaHQ becomes the customer’s complete content delivery headquarters, from ingest, media management and preparation to distribution and analytics, and our customers have access to everything under one roof. MediaHQ is also supported by our technical team 24/7, so customers can be confident that they’re in expert hands and will be taken care of every step of the way.

Third, people are still riding the FAST channel wave but there seems to be some confusion around FAST channels. They’re not just the creation of a linear feed they’re a linear feed with inserted advertising. In our opinion the advertising model is not bullet-proof yet and people are still trying to monetise the FAST channel option.

Overall, we had a really enjoyable show catching up with our customers and colleagues, and demonstrating the value of MediaHQ to potential customers who are looking for a flexible suite of modular components that easily integrate with existing systems. We certainly feel that industry tradeshows still have their place and we look forward to IBC 2024.

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BLOG: Catching the AVOD Wave… – Oscar Gutierrez, Switch Media https://switch.tv/blog-catching-the-avod-wave-switch-media/ Fri, 25 Aug 2023 05:01:18 +0000 https://www.switch.tv/?p=8990 The post BLOG: Catching the AVOD Wave… – Oscar Gutierrez, Switch Media appeared first on Switch Media.

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Catching the AVOD Wave…

BLOG by Oscar Gutierrez, VP Business Development, Switch Media

With more people willing to watch ads on AVOD services than pay for subscriptions, there are even greater opportunities for brands to increase consumer reach in much more targeted ways. The key to providing a powerful advertising solution is being able to utilise detailed metadata and user data to serve up relevant ads, and to do so seamlessly.

With the AVOD market growing in territories across the world, this is the perfect time for streaming services to catch the AVOD wave. An IMARC Group report looking at the APAC AVOD market, “expects it to reach US$61.8 billion by 2028, exhibiting a growth rate (CAGR) of 19.3 percent during 2023-2028.” This increase will be driven by key trends including the shift from traditional TV to streaming services, as well content providers drive to increase eyeballs and build their brands, and the ability to target viewers with data driven recommendations, which includes localised ad content.

Premion recently commissioned a 2023 CTV/OTT Advertiser Survey, which found that, “Investment and optimism for CTV/OTT advertising remains high, with two out of three CTV/OTT advertisers planning to increase spend this year, with an average increase of 23 percent. Spend increases are being driven by the ability to capture declining TV audiences (46 per cent), provide the benefits of TV with digital capabilities (44 per cent), and the ability to achieve full-funnel objectives (39 per cent).” The online survey, which was anonymous, was based on responses from 151 ad agency or brand-side marketers involved in the decision-making for CTV/OTT advertising.

What’s important for content owners and viewers, regardless of geographical location, is that ads are delivered using a TV-like viewing experience. Also, advertisers want addressable advertising options, while avoiding ad-blockers. Switch Media’s AdEase technology, which is part of our world-class MediaHQ online content publishing platform, provides multi-screen dynamic ad insertion for both live and on demand content and standardises advertising delivery with rich addressable personalised advertising across individual and household connected devices.

With AdEase, viewers benefit from a first-class TV-like experience with zero buffering. Seamlessly stitching ads into content results in a continuous video stream that makes it near impossible for end users to isolate and block ads, also eliminating buffering between ad and content transitions.

AdEase provides:

Addressable targeting:
Its 1:1 addressable functionality provides a personalised viewing experience for individuals and households, as well as creating more effective monetisation opportunities for businesses. AdEase enhances current and opens additional inventories, not only for advertisers but for users currently using ad blockers.

Workflow integration:
AdEase offers a market leading, simple approach towards integrations into content workflows and ad decisioning engines. Working in an agnostic manner our company’s role is to configure dynamic ad insertion within customers workflows and create additional revenue. With support for a variety of third-party content management platforms, AdEase simply pulls the media from the customer’s online video platform, injects the ads into the stream and delivers it to user devices.

Maximises ad revenue:
The technology provides a number of configuration options for commercial break patterns and schemas including pre, mid and post-rolls. Users can integrate with a range of primary ad servers and supply side platforms via VAST standards. AdEase offers API support to deliver interoperability with identity managements systems, data management platforms and other systems to support more data driven ad delivery to users.

At Switch Media, we assist streaming services in APAC and around the world with options to get AVOD services up and running faster. Where required, our consulting division can assist in setup, integration and configuration.

Drop us a line to find out more or fill in the form below

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IBC 2023 https://switch.tv/ibc-2023/ Thu, 24 Aug 2023 06:26:39 +0000 https://www.switch.tv/?p=8983 The post IBC 2023 appeared first on Switch Media.

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IBC2023: Transforming Media. Changing Expectations.

Switch Media is excited to be a part of the upcoming IBC, from 15-18 September, in Amsterdam. As a global leader in online video technology, Switch Media will be showcasing its world-class MediaHQ platform in Hall 5 Stand 5.H78, and we invite you to join us at this event.

MediaHQ is a flexible suite of modular components that easily integrates with existing systems, providing a powerful workflow engine to enhance, replace, or launch an exceptional online video experience effortlessly. With MediaHQ, you can access any or all capabilities to create a customized video solution that meets your specific needs.

Delivering innovation and empowering people, IBC2023 is where the future of the global media and entertainment industry is defined and actioned. Energising the market, enabling content everywhere, and inspiring new conversations, IBC brings the creative, technology and business communities together to collaborate, learn and unlock new opportunities.

Switch Media - MediaHQ - Powering effortless videoSwitch Media is proud to be part of this exciting event, and we are looking forward to showcasing our innovative solutions to industry professionals and enthusiasts. Don’t miss out on the chance to see our world-class technology in action at Stand 5.H78.

Visit us to learn how MediaHQ can take your online video experience to the next level.

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PRESS: Malaysia’s Tonton Goes OTT with Switch Media’s MediaHQ, C+T ASIA PACIFIC NEWS https://switch.tv/tonton-goes-ott-with-switch-medias-mediahq/ Tue, 08 Aug 2023 04:07:25 +0000 https://www.switch.tv/?p=8972 The post PRESS: Malaysia’s Tonton Goes OTT with Switch Media’s MediaHQ, C+T ASIA PACIFIC NEWS appeared first on Switch Media.

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“Switch Media is thrilled to join forces with Media Prima to deliver their integrated, dynamic new Tonton OTT service. The launch of their new and improved AVOD service alongside an SVOD version, were both powered by our award-winning MediaHQ platform. ” 

– Mark Johns, CEO, Switch Media

Malaysia’s Tonton Goes OTT with Switch Media’s MediaHQ

Switch Media, the provider of online content delivery solutions, has announced that Malaysia’s first and largest video streaming network Tonton, owned and operated by media powerhouse Media Prima, is using its MediaHQ online content publishing platform to create Tonton’s integrated, dynamic new OTT service.

Media Prima owns and operates a wide range of media outlets including: four national broadcasted TV stations, including the nation’s number one free to air channel: TV3. Complemented by five national radio stations, three national newspapers, an out of home network and Malaysia’s widest-reaching digital content platforms. Tonton, which is very well known across the country, originally launched back in 2010 and has been through several iterations since as the service it provides, and the market it serves, has evolved. International OTT services have since entered the market, but local content still remains the nation’s most beloved genre, and Media Prima continues to be one of the genre’s biggest producers of content.

Oscar Gutierrez, Switch Media’s VP of Business Development, said, “We took an in-depth look at what Tonton had been doing and where they wanted their OTT business to get to – a vital component of what we do – and it was immediately clear that our modular MediaHQ platform would be ideal for them. It provides a level of flexibility and adaptability, via the ability to easily add and remove services and to create the look and feel they needed, crucial in attracting and maintaining viewership.”

MediaHQ benefits from a powerful workflow engine and houses an advanced suite of modular capabilities that are flexible and easy to integrate. From ingest, media management and preparation to distribution and analytics, customers have access to everything they need under one roof.

The AVOD service, which launched in November 2022, was initially available on the Web, as well as on mobile apps for Android and iOS for smartphones and tablets with display and in-stream ads. This service carries a collection of Media Prima’s market-leading free-to-air channels. This March saw the launch of its SVOD service, home to a range of premium international content, as well as local content, providing a broad selection of content for viewers. Switch Media has also now rolled out these services to Android TV and Smart TVs.

Gregory Eu, Tonton’s Head of Product, said, “In order to improve our online video services, it was essential that we went back to the drawing board to see how we can rebuild the platform to fit today’s OTT landscape. Nowadays, with the widespread use of digital platforms, many people prefer to consume content online, and therefore, we required significant upgrades in our capabilities. Fortunately, Switch Media and its committed team promptly grasped the necessary steps we had to take and provided us with a technically sophisticated solution – Media HQ. Additionally, Switch Media have proved to be extremely adaptable in terms of structuring our partnership. It has been an invigorating experience working with them.”

Oscar Gutierrez said, “Beyond the market-proven technical capabilities of MediaHQ , and our in-depth market knowledge across the region, we are also able to deploy a mostly OPEX rather than a CAPEX intensive model and this was attractive to Tonton. As we all know, this is important as the trend away from CAPEX-intensive business models continues. There’s a range of ways that we can do this for customers as we work very closely with them throughout the process and can also support them on an ongoing basis, if desired. We take the polar opposite approach to the market than a one-size-fits-all angle. We offer very personalised customer service, supported by the modularity and flexibility of our solutions.”


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BLOG: Lowering the barrier to entry: The move from CAPEX to OPEX payment models and beyond – Mark Johns, CEO, Switch Media https://switch.tv/blog-lowering-the-barrier-to-entry-the-move-from-capex-to-opex-payment-models-and-beyond/ Mon, 05 Jun 2023 03:39:57 +0000 https://www.switch.tv/?p=8957 The post BLOG: Lowering the barrier to entry: The move from CAPEX to OPEX payment models and beyond – Mark Johns, CEO, Switch Media appeared first on Switch Media.

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Lowering the barrier to entry: The move from CAPEX to OPEX payment models and beyond

BLOG by Mark Johns, CEO, Switch Media

Before we get to the heart of this blog, where we’ll take a quick look at evolving OTT technology supplier payment models and, more widely, the possibilities afforded by different commercial relationships, first something that really caught our eye recently.

We have all known for years the changing nature of video consumption, moving gradually away from traditional linear pay-tv/subscription models to on demand. Of course, the speed of this change – the rise of cord-cutting, as it’s often referred to, especially in the US – varies dramatically around the world.

But a recent Washington Post story slammed home the scale of the situation across US cable. In the article, author Paul Farhi, says, “As recently as 2016, when Trump was narrowly elected president, just over 70 percent of all households with a TV had cable or satellite TV subscriptions. Today the figure is just under 40 percent, according to S&P Global Market Intelligence, a research firm. And it’s dropping fast.”

He adds, “During the first quarter of 2023, another 2.3 million customers (or 7 percent of the total) cut the cord to traditional cable — the fastest cancel-my-subscription pace ever recorded, according to MoffettNathanson, another research firm. The company estimates the number of homes receiving TV via cable is now about the same as it was in 1992, when the industry was still on the rise.”

The article is framed around the threat this poses to cable news – Fox News et al. – and of course it highlights that this doesn’t mean content will disappear, rather these services will move online, cutting out the middleman – the cable operator in this case. This further serves to highlight that for channel and content owners, the game has forever changed with the way consumers and pay for and consume content forever altered.

This comes to the wider point of this blog. The technology supply side of the Media and Entertainment sector is also experiencing a significant change, moving away from CAPEX to OPEX models. This is powered by the ongoing move to virtualised and cloud technologies, allowing services to be created, spun up and spun down or altered, far more quickly. Cloud playout is a very good example of this where rather than having to purchase and install hardware to create or alter services using a CAPEX model, now these can be virtualised, based on backend services like AWS or Azure. This means things like pop-up channels can now be spun up and spun down very cost effectively with capacity available on demand.

This move to OPEX models is something we’ve noticed in the OTT space. Of course, the fundamental modularity and virtualised technology approach of much of what we do comes to the fore here. This gives us and our customers tremendous flexibility in the way that we can approach projects from both technical and business angles. An example with which many will likely be familiar is Adobe Creative Cloud, which uses a monthly subscription model rather previously having to buy each piece of software. Models like this lower the barrier to entry and provide an easier life in terms of automatic updates, new products and so on. People have become more and more used to only paying for what they use – this applies right across life. And this applies in our sector, too, vastly lowering the barrier to entry.

Of course, there’s still CAPEX business out there and that’s generally where there’s some hardware or specific services involved. We were asked earlier this year about building a custom launcher for an Android STB, as one example. But overall, the trend is clearly to OPEX models.

Casting our net more widely – and for commercial sensitivity reasons, we can’t go into too much detail here – we have also looked at other revenue models. In one example there are three main players: the content provider; Switch Media providing the OTT technology; and a distribution partner who deals with the consumer and handles the service branding and marketing. This is already proving to be a very successful model with each party absolutely handling what they are best at doing.

The distribution partner brings the marketing and access to customers, the content provider does just that and we bring the technology and the integration and ongoing operational effort. We integrate with a billing platform and away we go. Get in touch to find out how we can help you across the on-demand content space.

The post BLOG: Lowering the barrier to entry: The move from CAPEX to OPEX payment models and beyond – Mark Johns, CEO, Switch Media appeared first on Switch Media.

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BLOG: The Shifts in Video Consumption Patterns across Asia Pacific – Oscar Gutierrez, Switch Media https://switch.tv/blog-the-shifts-in-video-consumption-patterns-across-asia-pacific/ Thu, 25 May 2023 04:12:17 +0000 https://www.switch.tv/?p=8941 The post BLOG: The Shifts in Video Consumption Patterns across Asia Pacific – Oscar Gutierrez, Switch Media appeared first on Switch Media.

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The Shifts in Video Consumption Patterns across Asia Pacific

BLOG by Oscar Gutierrez, VP Business Development, Switch Media

As we noted in our last blog, the OTT video market is the one that seems to get the most attention from analysts across the video industry, with many reports on changing market conditions and priorities appearing on a regular basis.

Two have recently caught our eye. One looking at traditional pay TV revenues across the region and the other concentrating on the specifics of the OTT market. According to Digital TV Research, pay TV revenues will decline across the Asia Pacific market, citing an overall annual revenue figure of $26bn by 2028, which is $1.6bn less than in 2022. It says, “Pay TV revenues will fall in 10 countries, including Japan (down by $889 million) and China (down by $309 million), between 2022 and 2028. Conversely, India will add $153 million.”

Simon Murray, Principal Analyst at Digital TV Research, said: “IPTV revenues will overtake digital cable in 2023. IPTV revenues will climb by $481 million between 2022 to 2028 to $11.26 billion.” Digital cable will lose $1.15 billion between 2022 and 2028, with analogue cable down by $382 million. Satellite TV will also fall – by a whopping $494 million.

This is a significant contrast to the same company’s analysis of the OTT market across the same region, with TV and film revenues delivered this way predicted to grow by 56 per cent to $52bn in 2028, up from $33bn in 2022. China is set to add $19bn on that, India $2bn, South Korea $3bn and Japan $4bn. China’s percentage of the market will actually decrease from 48% to 38% of the total revenues for the region.

Furthermore, Digital TV Research has observed an intriguing trend in the Chinese market where due to a decline in advertising revenue in 2019, SVOD revenue surpassed Advertising AVOD revenue. However, projections suggest that the AVOD market is expected to recover, with a projected revenue of $20.64 billion by 2028. Despite the anticipated growth, AVOD is predicted to remain lower than SVOD revenue, which is forecasted to reach $25.62 billion.

Based on our extensive experience working in the South-East Asian region, it is evident that the streaming market is highly fragmented, much like other parts of the world. For instance, in countries like Australia and New Zealand, viewers are willing and financially capable of paying for streaming services. Nevertheless, in certain markets (such as Australia), SVOD services can still include advertising – which can create some level of complexity.

But across much of the region, irrespective of how much money people have, there’s very significant percentages of populations who are not willing to pay for video services. Even in Singapore, which is a relatively wealthy country, many people would rather sit and watch ads than pay for content. What we are seeing is a lot of models based on advertising rather than subscription. There are, of course, always exceptions to this but this is the general situation. We agree with the report that AVOD revenues are most certainly set to grow.

We do see parallel SVOD and AVOD services running, for example in the Philippines and Singapore. Indeed, we have been working on a project that does exactly this, a project about which we’ll be able to share the details soon. It really does depend on how familiar a company is with advertising as a model for their overall business. This can lead to SVOD being rolled out, sometimes when it may not really be appropriate for the market because people just can’t afford it. This applies to the major players like Netflix as well. People can’t afford to subscribe to one service let alone three or four.

Switch Media takes a modular technological approach that allows us to cater to the varying needs of our customers, regardless of whether they require a subscription-based service, advertising-supported service, or a combination of both. Our focus is on delivering both live and Video on Demand (VOD) content seamlessly, as ultimately, it is the video content itself that takes precedence. Our primary objective is to provide the right content to viewers, in the most suitable format and timing, and at a reasonable price point.

This approach has not changed over the years. For sporting events and major happenings, live TV remains the most sought-after format. For other types of content, viewers prefer the convenience of being able to access them on-demand, whether it be through Subscription Video on Demand (SVOD), Advertising Video on Demand (AVOD), or other formats. At Switch Media, we are committed to ensuring that our customers achieve whatever their goals in this regard.

The post BLOG: The Shifts in Video Consumption Patterns across Asia Pacific – Oscar Gutierrez, Switch Media appeared first on Switch Media.

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