Review: The Red Winter by Cameron Sullivan

A square crop of the front cover of The Red Winter by Cameron Sullivan.
I really love the front cover design of The Red Winter, its a shame I cannot have both the text and the illustration at the bottom in the square crop.

I had the thought, for the first time in months, that life without death is a miserable gift.

page 4, Sebastian
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Review: Weavingshaw by Heba Al-Wasity

A square crop of the front cover of Weavingshaw by Heba Al-Wasity
There is something about the symmetry of this cover design for Weavingshaw that is very appealing.

The house was immense, and built like a fortress to withstand violent sieges. More than forty darkened windows watched their insignificant carriage pull up to the front, resembling dilated eyes unblinking in silent judgement. Ivy draped the pale limestone bricks, and wild roses tangled up from the soil. The single turret towered over them, parting the mist. To the left were the burned remnants of a crumbling tower, the walls decaying and blackened. Deathgrips, their still-violet petals a contrast to the dull browns of late autumn, grew like a moat surrounding the house, as if to ward away any wolves that might be growling at the edge of the forest.

page 253
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Review: The Poet Empress by Shen Tao

A square crop of the front cover of The Poet Empress by Shen Tao.
I really love this front cover design for The Poet Empress, it is very striking! The art was done by Kelly Chong.

Let me burn and burn until the whole empire is devoured, along with all its corruption, its villainy, its rot. Let me burn and burn until this night is not remembered, nor this year, nor this dynasty, until even history is buried in ash. And then maybe green things would grow again.

page 267, Maro
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Review: Fingersmith by Sarah Waters

A square crop of the cover of Fingersmith by Sarah Waters.
I am not a huge fan of this particular cover design for Fingersmith but its the only one I could find a high resolution copy of to use for this review.

She will laugh. The sound is as strange, at Briar, as I imagine it must in a prison or a church. Sometimes, she will sing. Once we talk of dancing. She rises and lifts her skirt, to show me a step. Then she pulls me to my feet, and turns and turns me; and I feel, where she presses against me, the quickening beat of her heart–I feel it pass from her to me and become mine.

page 254
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