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Joined 3 years ago
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Cake day: June 18th, 2023

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  • Oh no, I totally enjoyed the rant! There’s nothing better than meeting someone on the Internet who is passionate about a subject, or has significant expertise who can clear up misconceptions or misinformation.

    And yes I agree on the range levelling / squashing, and I think it’s for radio purposes so it sounds good coming out of horrible mall speakers or low-end car stereos / smartphones. Mass market appeal, as you said.

    The surface noise is obviously a problem for vinyl, but in the specific few that a friend had shown me (Nine Inch Nails), I thought it was just part of their aesthetic, because a lot of Reznor’s stuff is “grainy” on purpose.

    On mastering: I’m not even sure what the “new medium” would be for super high end audio, I’ve resorted to FLAC at Quality=11 because .wav/.raw is ridiculously large for no good reason, and internet connections are so fast nowadays (125 MB/s+) that even buying physical Blu-Ray disks is tenous given you can digitally grab the album in under a minute, versus driving to the record store.


  • TLDR: Just get whatever sounds good to you; if you already have working speakers, there’s no need to replace them unless they’re really old / grody.

    I’ve got JBL powered studio monitors and a powered subwoofer with a low-frequency cutoff passthrough.

    The DAC/Amplifier provides the analog signal from an optical input.

    I’m kinda “half” an audiophile, I can definitely tell good speakers apart from bad ones and with room speakers/“monitors” it’s a lot easier to get good sound than with headphones (cone and magnet sizes).

    As for vinyls, I listen to them digitized and they’re around ~192 KHz in dynamic range (compared to 48 KHz for CD), and most speakers seem to be capable of high dynamic range (post 2020 production) for pretty cheap.