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Joined 3 years ago
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Cake day: June 16th, 2023

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  • Reminds me of the beginning of Moby Dick

    Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.



  • It’s always been a metaphor for the devastation of Hiroshima and Nagasaki

    I know that this is a really common take about Godzilla, but it’s pretty clearly not what the 1954 original Godzilla movie was about. The aesthetics of Godzilla’s destruction is informed/inspired by nuclear destruction. Not just of Hiroshima or Nagasaki but particularly of Bikini Atoll nuclear testing. The opening scene in the movie would have reminded people of the Daigo Fukuryuu Maru, a fishing boat that was hit by some of the testing just earlier that year.

    But while the aesthetic of Godzilla’s destruction is nuclear, its place in the story is really different. The story is about scientists who develop a brand new devastating weapon that could destroy the mindless rampaging monster, but they have to decide whether or not it is worth introducing such a weapon that would permanently change the world.
    The “oxygen destroyer” that they invent in the movie is a much more direct parallel to the atomic bomb, and Godzilla is the Japanese Empire. We must defeat [the Japanese Empire / Godzilla], but is it worth unleashing [the atomic bomb / the oxygen destroyer] onto the world?
    The 1954 Godzilla movie is very clearly an attempt to empathize with the American perspective on using the first atomic weapons.

    Godzilla is the bomb, but it’s also the Japanese Empire. It’s a symbol of violence and shared scars between the United States and Japan. USA and Japan are the only two countries to have made Godzilla movies (as far as I know) and I think it would be inappropriate for any other country to make one, but I don’t think it’s necessarily inappropriate to set one in New York. Though, it’s probably less meaningful than the 1954 movie (to be fair, most Godzilla movies after the 1954 one are less meaningful).



  • What I imagine to be the “true” answer to the question is that “consciousness” isn’t really real, but if it’s thought of as a result of physical/chemical properties, then there’s no dividing line between what reactions count as consciousness (ie, a waterfall or tectonic plate could also be conscious).

    You can’t prove that you experience that sort of intangible experience and it can’t be measured or well-defined, so I’m personally inclined to not really believe in it at all.
    OR if we do accept that it’s a result of chemical reactions and we want to define it in terms of those, then there’s not a strong reason to differentiate a human experience from rocks or computers or waterfalls.
    I think people are inclined to think that such a thing exists because we have the abilities of memory and communication, but the concept itself I think is not very useful. Which is why I suspect that a magically True answer would say that the physicality of the brain itself is as close as you can get to that idea.








  • On the topic of messing around in Paint, there’s something really cool you can do assuming you have a display with normal pixels.
    Make a new paint document and color the left half perfectly red and the right half perfectly blue (#FF0000 and #0000FF). Make sure the colors are touching in the middle. If you look really close at the place the colors touch, there will be a tiny little black gap. If you do the opposite, with red on the right and blue on the left, the gap will not appear.

    This is, of course, because of the physical layout of the pixels with R on the left and B on the right. By putting red on the left and blue on the right, we make the biggest possible subpixel dark zone.


  • Excited for Mahou no Shimai Lulutto Lilly. The first anime-original Pierrot magical girl show since the 90s. It’ll also be a new entry in the mostly dead-ended evolutionary branch of magical girl shows that aren’t about fighting bad guys, but about being magical idols. In fact, this show looks SO similar to Mahou no Tenshi Creamy Mami that I’d almost call it a remake, based on the trailer. They even have the same familiars: a blue cat with pink eyes + a pink cat with blue eyes.


  • I’ve been studying Japanese for almost six years now and I would say YES kanji is difficult, but it’s not insurmountable. It’s also one of the most interesting and fulfilling parts of learning the language.
    There’s a certain level of “you have to know the rules before you know how to break the rules” but kanji can often be used in interesting nonstandard ways in literature & manga and just in general carry so much meaning and depth.
    There’s always something new to learn. Did you know that there’s another version of 探す (to search) that has a slightly different connotation? 探す is usually used to search for something you want, but 捜す is used to search for something that’s missing.

    By the way, do we have a Japanese learning community on Lemmy?


  • Depends on what you mean by “similar”. If you’re looking for the right thing, there are often a lot of phonetic hints in kanji.

    For example, 矢 and 夫 sound completely different, totally unrelated. These are pretty basic kanji though; I think it’s analogous to how O and Q are totally different, or i and j.

    If there’s more complex similarities though, then yeah there can be an implied phonetic relationship. Look at: 同胴洞銅恫桐粡. These can all be pronounced the same: どう (dou). Though, many of them have kunyomi readings that are totally unrelated.


  • I really got into anime in 2018 with Little Witch Academia but as a kid my first anime ever was probably Nausicaa of the Valley of the Wind or another early Ghibli movie. Also as a kid I watched the Cardcaptor Sakura movies.

    My first impressions were very positive. I was kinda primed to expect all anime to be trash and cringe so I was surprised when Little Witch Academia was actually just a great show. I’ve been watching non-stop since then, learned the language, translated some manga, etc.

    My favorite series since I first watched it in 2020 has always been The Melancholy of Haruhi Suzumiya. Every arc is amazing, the characters are so interesting, and the presentation is so creative. Though I just recently started PaniPoni Dash! and it’s the first thing that’s ever challenged Haruhi for me; it might be my new #1. It’s 2005 Shaft and it’s kinda the peak of Shaft’s style and quirkiness and it’s also really funny.

    I also just recently watched absolutely the worst anime I’ve ever seen: Kennel Tokorozawa. It is funny, which is a positive, but not enough to outweigh how overwhelmingly awful it is as a whole.
    The worst things I’ve seen that (somehow) have an actual level of popularity and acclaim: Shinsekai yori, 86, The Boy and the Heron. All bad for different reasons, but each one irredeemably terrible.

    You didn’t ask, but I’ll also mention what I think is the most underrated anime ever: Christmas in January. Amazing short movie. Not very popular or well-regarded, but very subtle and emotional and whimsical. Definitely the most “hidden gem” thing I’ve ever found.